Chapter 01
PHILOSOPHY
The Gush palette philosophy
Gush organises its 309 interior colours into 11 families. Heavy on grounded earth tones, restrained on shock chroma. A palette designed to live with — not photograph well once and tire of.
309 Interior Colours
Tropical daylight is bright, indirect, and year-round. Some palettes wilt under it — Gush is built for it. A practical guide, chapter by chapter.
Chapter 01
PHILOSOPHY
Gush organises its 309 interior colours into 11 families. Heavy on grounded earth tones, restrained on shock chroma. A palette designed to live with — not photograph well once and tire of.
Chapter 02
LIVING ROOMS
Singapore living rooms typically face away from direct afternoon sun. Warm earth tones — terracotta, clay, burnt sienna — read as inviting rather than overwhelming in indirect light.
Chapter 03
BEDROOMS
For sleep, lower-saturation greens, blues and pinks settle the room. Avoid bright white — it amplifies early-morning HDB corridor light. A dusty rose feature wall photographs warm at sunset.
Chapter 04
WET ROOMS
Where Gush Care does its work, keep colours one to two shades lighter than you’d choose for a dry room. Tropical humidity makes saturated colours read heavier than they look on a swatch.
Chapter 05
ACCENT
Gush carries a small set of high-chroma accents — electric coral, deep cobalt — designed to be used in 5–10% of a room, never as the main wall. Treat them like punctuation.
Chapter 06
METHOD
The biggest mistake: choosing colour from a screen swatch. Order a sample, paint a 60cm × 60cm patch on the actual wall, and observe across three times of day. Singapore daylight shifts a colour more than you’d expect.